John Barrow for the SF magazine Interzone (several of his books, notably his collaboration with Frank Tippler, the Anthropic Cosmological Principle, They call themselves people, and certainly deserve the name. They are, with some significant exceptions, curious, peaceable, likeable and inventive. But they are not human. Pilgrim Saltmire is one of these (a mole, or badger, or what-you-will), a young academic determined to finish the monograph of his dear departed master, Able.

Risking his reputation and his life, Pilgrim's search for the truth takes him from his comfortable home in the shadow of a great library to his tribe's former home on the chilly coast of the far south, and the gathering of a dangerous cult in the high desert. Whether or not the visitors are real, one thing is certain. Pilgrim's world and everything he thought he knew about his people's history will be utterly changed. By then, the universe had begun to be enriched by metals, too, including the stuff of life. But the composition of surviving members of the subsequent Population II generation of stars suggests that around a billion years after the Big Bang the universe was still extremely metal-poor; even the oldest Population I stars, formed 2 - 3 billion years later, contain only a tenth of the metal content of youngers stars like our sun.

Beyond the Burn Line shows us what a skilled writer can do. Imaginative, intelligent world building, with a far-future setting that allows our characters, whilst different, to exhibit endearingly human traits. It is going to be one of my books of the year, I think. The modern classic of space opera that began with Children of Time continues in this extraordinary novel of humanity's battle for survival on a terraformed planet. McAuley's fabulous far future, impacted by the consequences of global warming, colonisation and historical injustices, explores and reflects our own challenges while telling a fast paced story of discovery and adventure. Later the story moves along some decades in the future and switches again in perspective, though Pilgrim's discoveries are still its main focus. The second part is by its nature much faster-paced than the first and at times this makes it seems a bit rushed especially towards the ending which solves the main mysteries at least to a large extent, though as in any good story, leaves enough hooks for a possible sequel. I also kept expecting that one of the drives of the story would be everyone finding out where these intelligent species came from, but no.

Beyond the Burn Line is a book of two halves. The first takes us into a far future Earth, where the dominant species, simply referred to as 'people' but clearly not human, live a relatively low tech, but rich life. We discover that they used to be slaves of intelligent bears, who were the main intelligent species on Earth for thousands of years before their relatively recent demise. Humans (referred to as ogres) have been extinct far longer, which, until things are explained further, made the tag line of the book 'What will become of us?' confusing. Peaceful and emphasising harmony with nature and cooperation between its tribes, but with strict divisions between the roles of men and women, it spans the American continent and is beginning to explore the rest of the world. But now, sightings of mysterious visitors are being reported. Are they bears which escaped the plague, a remnant population of human beings, or an unknown intelligent species? Where are they from, and what do they want? I stumbled across this book via James Davis Nicoll's posts on Tor.com. It was one of the "Five SF Works About Ruined Civilizations." I bought it and found it very engrossing. We were poor, but an aunt owned a boarding house in the south-coast town of Bognor Regis, where my mother's family came from, and that's where we went on holiday for a fortnight every other year. It was, and still is, a somewhat low-rent resort, but there was a park with a boating lake, a miniature railway and a small zoo, and a long promenade with a theatre, a pier and miles of sandy beaches from which, on clear days, the misty coast of France could be glimpsed at the horizon. As far as we were concerned, not knowing any better, it was a kind of paradise. It is in the second part of the book that Paul’s long game is revealed. There is a change in style and tone in this latter part of the novel. If I had to compare Beyond the Burn Line here, too, then Part Two is rather like Vernor Vinge’s A Fire Upon the Deep, or Brian Aldiss’s Helliconia, in its descriptions of an evolving, uplifted society and their connection to other species.After the death of his master, a famous scholar, Pilgrim Saltmire vows to complete their research into sightings of so-called visitors and their sky craft. To discover if they are a mass delusion created by the stresses of an industrial revolution, or if they are real - a remnant population of bears which survived the plague, or another, unknown intelligent species. Season of Skulls continues Hugo Award-winning author Charles Stross's Lovecraftian Laundry Files series. McAuley’s fabulous far future, impacted by the consequences of global warming, colonisation and historical injustices, explores and reflects our own challenges while telling a fast paced story of discovery and adventure. Paul McAuley seems to specialise in these conceptual novels. This is no exception. It takes place 200.000 year after the exctinction of humanity. A race of intelligent raccoons has arisen. One of them, Pilgrim Saltmire, tries to complete the research of his mentor, who has passed away. It concerns the observations of mysterious 'visitors' and the question if these are a real phenomenon or pure imagination. Pilgrims journey takes him to the south of his continent, where he finds a map from an earlier civilisation ... The map contains clues to something bigger going on ... A biologist by training, UK science fiction author McAuley writes mostly hard science fiction, dealing with themes such as biotechnology, alternate history/alternate reality, and space travel.

I will not tell more of the plot, as finding out about each new revelation is part of the fun. Of course there are new layers to peel off about this future world and how it came to be and I thought it was all well thought out. The first half of the book was a bit hard to go through. It reads like a nineteenth century novel about a young scientist following a lead and is a bit meandering. But in the second half another perspective is introduced and the pace ramps up. At that point I was thoroughly hooked. Sadly though even if the main questions were answered, the author chose to end on a bit of cliffhanger. But that's not a large issue. I'm the author of more than twenty books, including novels, short story collections and a film monograph. My latest novel is War of the Maps. Bleh. The book is basically two stories: An unlikable raccoon looking for the truth about the "visitors" (they're exactly who you think they are) and flash forward a few decades then you get an uninspired human looking for bears (but first the map from the first story). You'd think there'd be something interesting over the course of that much time, but no, you'd be wrong. In summary then, as with the best of Paul’s work, Beyond the Burn Line is inventive and smart, engaging and logical. As a reader I found myself caring a great deal about what happens to Pilgrim, his descendants, and their world, until by the end when the story was done, I was sad to find it finished. So far, so good, but there remain some problems. Practically every character in the second half seems to have an ulterior motive, and the main character's actions are repeatedly derailed to an extent that becomes a touch tedious. It is also confusing in places as many characters are introduced briefly, and it becomes difficult to remember who is who amongst the various adversaries and apparent helpers in the repeatedly shifting perspective of the apparent truth. Add in a distinctly frustrating ending, and the reader can emerge a little unsettled.

time, some other species might start to look at the stars and wonder. Bears, perhaps. Or raccoons. Perhaps they will manage things better . . .'

In the nineteenth century, before the onset of the Anthropocene and global heating, Judith persuades her father to allow her to join his survey expedition of coral islands along the length of the reef. In the present, Hanna, a marine biologist trying to find ways to save the reef from climate change while coming to terms with the break-up of a relationship, becomes involved in the mystery of Coral Man, whose white-painted body is found adrift in an inflatable painted with a message: This is what it looks like when coral dies. And in a future where the interior of Australia is a hostile furnace and most of the reef is dead, Telma sets out along the coral ruins to investigate rumours of a seemingly impossible sighting of an extinct fish species. The scale of a planet becomes all the more apparent when Pilgrim is exiled to the far south, a place of snowy winters. He is tasked with cataloguing a library abandoned by his tribe some decades before and, through the cold dark winter this task provides intellectual satisfaction amidst physical and social deprivation. In the process he discovers a map which may provide more insight into the visitors, and to a possible connection with the madness of the Bears. However, Pilgrim loses this along with the rest of his research, as events once again over take him. That is a clue that something is going on which is not natural. Two-hundred thousand years is not enough time for the evolution of a new intelligent species, much less two. There is an explanation for this, but I will not spoil it here. I was not completely satisfied. I had hoped for much deeper time, but, obviously, given the answers to the mysteries presented, that would never work. In addition, new mysteries were raised at the end of the book that were not answered. It may be that McAuley intended to write a second book, but that left this book with the sense that some things were left hanging.When Pilgrim goes in search of an ancient map that is taken from him, one that hints of a world where the feral bears may have had cities in the past and a connection to the strange alien ogres, the more modern wider world beyond Pilgrim’s town of Highwater Reach reveals itself to be somewhat steampunkish, with train travel, printing presses and balloons.